Beam Angles and Optics in LED Moving Head Lights
- Beam Angles and Optics in LED Moving Head Lights
- Introduction: Why beam angle matters for an LED Moving Head Light
- Key Concepts of Beam Angle and Optics
- What is beam angle?
- How optics shape the output
- Practical Calculations: Beam Diameter and Throw
- Beam diameter at a distance
- Estimating illuminance (lux) from beam intensity
- Beam Type Comparison for LED Moving Head Light
- Choosing beam, spot or wash
- Optical Components and Their Impact
- Lenses and zoom systems
- Reflectors, collimators and light sources
- Gobos, prisms and diffusion
- Performance Trade-offs and Fixture Selection
- Lumen output vs beam angle
- Color mixing and beam quality
- Example Calculations and Real-World Comparison
- Example: comparing two fixtures
- Installation, Maintenance and Practical Tips
- Mounting and aiming
- Maintenance to preserve optical performance
- Why choose KIMU for LED Moving Head Light needs
- KIMU expertise and manufacturing credentials
- Choosing the Right LED Moving Head Light for Your Project
- Checklist for buyers
- Frequently Asked Questions
- What beam angle should I choose for concerts?
- How does beam angle affect gobo projection?
- Can I convert lumens to lux for a chosen distance?
- How do I maintain beam quality over time?
- Does KIMU offer custom optics for specific beam angles?
- Where can I find more technical support?
Beam Angles and Optics in LED Moving Head Lights
Introduction: Why beam angle matters for an LED Moving Head Light
Beam angle and optics are the foundation of how an LED Moving Head Light performs on stage. Beam angle determines beam spread, intensity, and how a fixture interacts with gobos, prisms and other optical accessories. For lighting designers, technicians, and buyers, understanding beam geometry helps choose the right fixture for concerts, theater, broadcast and fixed installations.
Key Concepts of Beam Angle and Optics
What is beam angle?
Beam angle is the full angle between the points where light intensity drops to 50 percent of the central maximum. Moving head fixtures are commonly classified by beam type: beam (very narrow), spot (moderate), and wash (wide). Typical ranges are: beam 1.5°–8°, spot 10°–30°, wash 20°–60° or more.
How optics shape the output
Optics include lenses, reflectors, collimators, and zoom systems. High-quality optics concentrate LEDs into tight beams or spread them evenly. Zoom moving heads use variable optics to change beam angle on the fly, while fixed-beam fixtures rely on dedicated lens assemblies and gobos to shape light.
Practical Calculations: Beam Diameter and Throw
Beam diameter at a distance
To predict how large a beam will be at a given throw distance, use the geometric relation: beam diameter = 2 × distance × tan(beam angle / 2). Example: a 5° beam at 20 meters gives diameter = 2 × 20 × tan(2.5°) ≈ 2 × 20 × 0.0436 ≈ 1.74 meters.
Estimating illuminance (lux) from beam intensity
For a simple point-source approximation, illuminance E at distance d is E = I / d², where I is luminous intensity in candela (cd) and d is distance in meters. A more practical approach for fixtures uses lumens and beam solid angle. Solid angle Omega for a cone is Omega = 2π(1 - cos(beam angle / 2)). Then approximate candela I ≈ lumens / Omega. These formulas let you compare how bright a fixture will appear at a given distance.
Beam Type Comparison for LED Moving Head Light
Choosing beam, spot or wash
Each beam type serves specific uses. Beam fixtures produce razor-sharp shafts for aerial effects; spot fixtures offer gobo projection and crisp edges; wash fixtures deliver even color washes. Below is a concise comparison to guide selection.
Type | Typical Beam Angle | Characteristic | Recommended Applications |
---|---|---|---|
Beam | 1.5°–8° | Very narrow, high intensity, visible shafts | Concert aerial beams, high-intensity center effects |
Spot | 10°–30° | Crisp edges, gobo capable, moderate spread | Theatre, stage highlights, gobo projection |
Wash | 20°–60°+ | Soft edges, even color mixing | Stage washes, color blending, background lighting |
Optical Components and Their Impact
Lenses and zoom systems
Fewer lens elements can mean higher throughput but less control. Multi-element zooms allow continuous beam angle change. Quality glass and aspheric designs reduce chromatic aberration and maintain edge sharpness as the beam zooms.
Reflectors, collimators and light sources
Reflectors and collimators shape raw LED output. LED arrays often require tailored secondary optics to combine multiple emitters into a single coherent beam. The optical path design determines how clean a gobo image will be and how much light is lost to diffusion.
Gobos, prisms and diffusion
Gobos project patterns; their sharpness depends on beam angle and focus travel. Narrow beams sharpen gobos but reduce gobo coverage. Prisms multiply beams for effects; diffusion filters can widen beams but lower peak intensity—trade-offs that designers must manage.
Performance Trade-offs and Fixture Selection
Lumen output vs beam angle
Smaller beam angles concentrate lumens into a smaller area, increasing luminous intensity (cd). If a design requires extreme aerial beams, choose fixtures with strong optical efficiency and higher lumen packages. For even washes, look for high CRI LEDs and wide beam optics that prioritize uniformity over peak intensity.
Color mixing and beam quality
RGBW or multi-LED engines provide saturated colors, but mixing quality depends on the optical overlap. Well-designed mixers and homogenizers produce smooth color without visible LED pixels, especially important for close-up washes and camera work.
Example Calculations and Real-World Comparison
Example: comparing two fixtures
Assume Fixture A: 8,000 lumens, 5° beam. Fixture B: 8,000 lumens, 25° beam. Which is brighter on-axis at 30 m?
Step 1: compute Omega A = 2π(1 - cos(2.5°)) ≈ 2π(1 - 0.99905) ≈ 0.0059 sr. I_A ≈ 8000 lm / 0.0059 sr ≈ 1,355,932 cd. E_A at 30 m ≈ 1,355,932 / 30² ≈ 1,506 lux.
Step 2: Omega B = 2π(1 - cos(12.5°)) ≈ 2π(1 - 0.9763) ≈ 0.1513 sr. I_B ≈ 8000 / 0.1513 ≈ 52,900 cd. E_B at 30 m ≈ 52,900 / 900 ≈ 58.8 lux.
Conclusion: same lumen output but the narrow-beam fixture produces far higher on-axis lux. This demonstrates why beam angle is critical to perceived brightness and application choice.
Installation, Maintenance and Practical Tips
Mounting and aiming
Beam fixtures require careful aiming and rigging points to create intersecting shafts and avoid unwanted spill. Use yokes and safety cables rated for fixture weight, and plan beam paths to avoid audience glare and camera washout.
Maintenance to preserve optical performance
Keep lenses and gobos clean; dust and fingerprints scatter light and reduce contrast. Periodically check focus mechanisms and service fans to maintain thermal stability—LED color and output can shift with temperature.
Why choose KIMU for LED Moving Head Light needs
KIMU expertise and manufacturing credentials
KIMU is a professional stage lighting manufacturer with 8 years of experience. Our product range includes moving head lights, LED PAR lights and laser lights, and we support OEM, ODM and custom solutions. Our factory has more than 120 professional and technical employees across 8,000 square meters. We hold certifications including CE, ROHS, FCC, IC, IEC, ISO, REACH, SASO and BIS, and we maintain 17 patents to drive optics and fixture innovation. For customers seeking reliable LED Moving Head Light solutions, KIMU combines design expertise with proven manufacturing quality.
Choosing the Right LED Moving Head Light for Your Project
Checklist for buyers
Decide your primary purpose (beams, gobos, wash). Determine throw distances and desired lux at the target. Check lumen output, zoom range, gobo and prism options, color mixing quality, and cooling strategy. Verify certifications and warranty. For tailored solutions, consider KIMU custom options to optimize optics and mechanical features to match your venue.
Frequently Asked Questions
What beam angle should I choose for concerts?
For strong aerial effects at concerts choose beam fixtures with 2°–6° for long throw shafts. Mix spot fixtures (10°–25°) for highlights and wash fixtures for front light and color fills.
How does beam angle affect gobo projection?
Narrower beams increase gobo sharpness and contrast, but reduce the projected image size at a given distance. For large, detailed gobos, select a spot fixture with sufficient throw and focus range.
Can I convert lumens to lux for a chosen distance?
Yes. Use solid angle conversion: calculate Omega = 2π(1 - cos(beam angle/2)), approximate candela as lumens / Omega, then lux at distance d is candela / d². This provides a practical estimate for stage planning.
How do I maintain beam quality over time?
Regularly clean lenses and gobos, inspect cooling systems, verify mechanical focus and zoom functions, and replace aging LEDs or drivers as needed. Proper maintenance preserves output and optical fidelity.
Does KIMU offer custom optics for specific beam angles?
Yes. KIMU specializes in tailor-made stage lighting solutions and can develop custom optics, beam angles and mechanical adaptations to meet your production requirements. Contact KIMU through the website for OEM/ODM inquiries.
Where can I find more technical support?
For technical specifications, photometric files (IES/LDT), and custom requests, visit KIMU at https://www.kimulighting.com/ or contact our technical team for photometric modeling and pre-sales support.
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KIMU stage lights are certified to meet international safety standards, including CE, RoHS, and EMC.
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Yes, we support purchasing samples!
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Our stage lights come with a standard 1-year warranty, with options to extend.
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Of course, our company is located in the A3 building, Gaopu Industry Zone, Baiyun District, Guangzhou, China.
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KIMU main product: moving head light, led studio light, led par light, led bar light, led strobe light, stage effect light, laser light.

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